On the Cave of the Nymphs

PA

4397

E5

08

1917

ON THE

CAVE OF THE NYMPHS IN

THE THIRTEENTH BOOK OF

THE ODYSSEY

On the

Cave of the Nymphs in

the Thirteenth Book of

the Odyssey

From the Greeh of Porphyry

Translated by

Thomas Taylor

q

London

John M. Watkins

21 Cecil Court, Charing Cross Road

1917

ON THE

CAVE OF THE NYMPHS IN

THE THIRTEENTH BOOK OF

THE ODYSSEY

I i. What does Homer obscurely signify by the cave in Ithaca, which he describes in the following verses ?

" High at the head a branching olive grows And crowns the pointed cliffs with shady boughs. A cavern pleasant, though involved in night, Beneath it lies, the Naiades' delight : Where bowls and urns of workmanship divine And massy beams in native marble shine ; On which the Nymphs amazing webs display, Of purple hue and exquisite array. The busy bees within the urns secure Honey delicious, and like nectar pure. Perpetual waters through the grotto glide, A lofty gate unfolds on either side ; That to the north is pervious to mankind : The sacred south t'immortals is consign'd."

That the poet, indeed, does not narrate these particulars from historical information, is evi dent from this, that those who have given us 5

6 ON THE CAVE OF THE NYMPHS

a description of the island, have, as Cronius (note i) says, made no mention of such a cave being found in it. This likewise, says he, is

manifest, that it wnnlrf hf> ahgrn-j fpr

to expectTthat in_d^scfi5mga cave fabricated

^jnerely by poetical license and thus artificially opening a path to Gods and men in the region of Ithaca, he should gam the behei of man-

- • 7 *^

kind. Andit is equally absurd to suppose, that nature herself should point out, in this place, one path for the descent of all mankind, and again another path for all the Gods. For, indeed, the whole world is full of Gods and men; but it is impossible to be persuaded, that in the Ithacensian cave men descend, and Gods ascend. Cronius therefore, having premised this much, says, that it is evident, not only to the wise but also to the vulgar, that the poet, under the veil of allegory, conceals some mysterious signification ; thus compel ling others to explore what the gate of men is, and also what is the gate of the Gods : what means by asserting that this cave of the Nymphs has two gates ; and why it is both pleasant and obscure, since darkness is by no means delightful, but is rather productive of aversion and horror. Likewise, what is the

ON THE CAVE OF THE NYMPHS 7

reason why it is not simply said to be the cave of the Nymphs, but it is accurately added, of the Nymphs which are called Naiades ? Why also, is the cave represented as containing bowls and amphorae, when no mention is made of their receiving any liquor, but bees are said to deposit their honey in these vessels as in hives? Then, again, why are oblong beams adapted to weaving placed here for the Nymphs ; and these not formed from wood, or any other pliable matter, but from stone, as well as the amphorae and bowls ? Which last circumstance is, indeed, less obscure ; but that, on these stony beams, the Nymphs should weave purple garments, is not only wonderful to the sight, but also to the auditory sense. For who would believe that Goddesses weave garments in a cave involved in dark ness, and on stony beams ; especially while he hears the poet asserting, that the purple webs of the Goddesses were visible. In addition to these things likewise, this is admirable, that the cave should have a twofold entrance ; one made for the descent of men, but the other for the ascent of Gods. And again that the gate, which is pervious by men, should be said to be turned against the north wind, but the

8 ON THE CAVE OF THE NYMPHS

portal of the Gods to the south ; and why the poet did not rather make use of the west and the east for this purpose, since nearly all temples have their statues and entrances turned towards the east ; but those who enter them look towards the west, when standing with their faces turned towards the statues they honour and worship the Gods. Jlence, since this narration is full of siirh nhgriirit;ifif::J it can neither be a fiction casually devised foiL _the purpose of procuring delight, nor an ex position of a topical history; but something allegorical must be indicated in it by the ooetT who likewise mvsticallyplaces an olive near thecaye. All which particulars the ancients thought very laborious to investigate and un fold ; and we, with their assistance, shall now endeavour to develop the secret meaning of the allegory. Those persons, therefore, appear to have written very negligently about the situa tion of the place, who think that the cave, and what is narrated concerning it, are nothing more than a fiction of the poet. But the best and most accurate writers of geography, and among these Artemidorus the Ephesian, in the fifth book of his work, which consists of eleven books, thus writes : " The island of Ithaca,

ON THE CAVE OF THE NYMPHS 9

containing an extent of eighty-five stadia (note 2), is distant from Panormus, a port of Cephalenia, about twelve stadia. It has a port named Phorcys, in which there is a shore, and on that shore a cave, in which the Phaeacians are reported to have placed Ulysses." This cave, therefore, will not be entirely an Homeric fiction. But whether the poet describes it as it really is, or whether he has added some thing to it of his own invention, nevertheless the same inquiries remain ; whether the in tention of the poet is investigated, or of those who founded the cave. For, neither did the ancients establish temples without fabulous symbols, nor does Homer rashly narrate the particulars pertaining to things of this kind. But how much the more anyone endeavours to show that this description of the cave is not an Homeric fiction, but prior to Homer was consecrated to the Gods, by so much the more will this consecrated cave be found to be full of ancient wisdom. And on this account it deserves to be investigated, and it is requisite that its symbolical consecra tion should be amply unfolded into light.

2. Thp_anrt'p'rii'c:, i"Hpfdt v^ry properly con secrated ajgyejbpjthe world, whether assumed

io ON THE CAVE OF THE NYMPHS

collectively, according to the whole of itself, or separately, according to its parts. Hence they considered earth as a symbol of that matter of which the world consists ; on which account some thought that matter and earth are the same ; through the cave indicating the world, which was generated from matter. For caves are, for the most part, spontaneous productions, and connascent with the earth, being comprehended by one uniform mass of stone ; the interior parts of which are con cave, but the exterior parts are extended over an indefinite portion of land. And the world being spontaneously produced (i.e., being pro duced by no external, but from an internal cause), and being also self-adherent, is allied to matter ; which, according to a secret signi fication, is denominated a stone and a rock, on account of its sluggish an/l repercussive nature with respect to form jQhe^ajricients, atthe same time, asserting that matter is infinite through its privation of form.. Since, however7it is continually flowing, and is of itself destitute of the supervening investments of form, through which it participates of morphe (note 3), and becomes visible, the flowing waters, darkness, or, as the poet says,

ON THE CAVE OF THE NYMPHS II

obscurity_o£ the_cavern». were considerexLby the ancients as apt symbols of what the world

contains, on account of the matter with which it is connected. , iThrough matter, therefore, The world is obscure and dark ; but through the connecting power, and orderly distribu tion of form, from which also it is called world, it is beautiful and delightful. Hence it may very properly be denominated a cave; as being lovely, indeed, to him who first enters into it, through its participation of forms, but obscure to him who surveys its foundation and examines it with an intellectual eye. So that its exterior and superficial parts, indeed, are pleasant, but its interior and profound parts are obscure .^and its very bottom i darkness itself). (Thus also the Persians,^ mystically signifying the descent of the soul into the sublunary regions^ and its regression from it, initiate the mystic (or him who is admitted to the arcane sacred rites} in a place \ which they denominate a cavern. For, as Eubulus says, ZoTbaster was the first who consecrated in the neighbouring mountains of Persia, a spontaneously produced cave, florid, and having fountains, in honour of Mithra, the maker and father of all things ;

12 ON THE CAVE OF THE NYMPHS

a cave, according to Zoroaster, bearing a

resemblance of the world, which was fabric^tSdJfcUUMitb£a'y But t*16 things contained in the cavern being arranged according to commensurate intervals, were symbols oL^he tmmHarjfi gfatnpnts and «ffma±es.^

'3. After this Zoroaster likewise, it was usual with others to perform the rites per taining to the mysteries in caverns and dens, whether spontaneously produced, or made by the hands. For as they established temples, groves, and altars to the celestial Gods, but to the terrestrial Gods, and to heroes, altars alone, and to the subterranean divinities pits and cells; so to the world they dedicated caves and dens; as likewise to Nymphs (note 4), on account of the water which trickles, or is diffused in caverns, over which the Naiades, as we shall shortly observe, pre side. y^Nfpt only, however, did the ancients make a cavern, as we have said, to be a symbol of the world, or of a generated and sensible nature : but they also assu

'symbol oT aH invisible powers ; because as

caverns are obscure and dark, so the essence of these powers is occult. Hence Saturn fabricated a cavern in the ocean itself. and

ON THE CAVE OF THE NYMPHS 13

concealed in it his children. /Thus, too. Ceres educated Proserpine with her Nymphs in a cave ; and many other particulars of this kind may be found in the writings of theologists. But that the ancients dedicated caverns to' Nymphs and especially to Naiades, who dwell, near fountains, and who are called Naiades? from the streams over which they preside, is y manifest from the hymn to Apollo, in which it is said : " The Nymphs residing in caves shall deduce fountains of intellectual waters to thee (according to the divine voice of the Muses), which are the progeny of a terrene spirit. Hence waters, bursting through every river, shall exhibit to mankind perpetual effusions of sweet streams " (note 5). n^rom hence, as it appears to me. the Pythagoreans. ancLafter tfiem Plato, showed that the world is a caveni

and a^den For the powers which are the leUcfers'^f souls, thus speak in a verse of Empedocles :

" Now at this secret cavern we're arrived."

And by Plato, in the seventh book of his Republic, it is said, " Behold men as if dwell ing in a subterraneous cavern, and in a denlike habitation, whose entrance is widely

14 ON THE CAVE OF THE NYMPHS

expanded to the admission of the light through the whole cave." But when the other person in the dialogue says: "You adduce an unusual and wonderful simili tude," he replies, "The whole of this image, friend Glauco, must be adapted to what has been before said, assimilating this re ceptacle, which is visible through the sight to the habitation of a prison ; but the light of the fire which is in it to the power of the sun."

4. That theologists therefore considered caverns as symbols of the world, and of mun dane powers, is through this, manifest. And it has been already observed by us, that they also considered a cave as a symbol of the in telligible essence ; being impelled to do so by different and not the same conceptions. For they were of opinion that a cave is a symbol oL the sensible world because cavern*

stony, and humid ; and they asserted that the world is a thing of this kind, through the matter j>fjyhich it consists, and through its repercussive and flowing nature. BuTThev thought it to be a symbol of the intelligible world, because that world is invisible to sensible perception, and possesses a firm and

ON THE CAVE OF THE NYMPHS 15

[ stable essence. Thus, also, partial powers are unapparent, and especially those which are inherent in matter. For they formed these symbols, from surveying the spontaneous pro duction of caves, and their nocturnal, dark, and stony nature; and not entirely, as some suspect, from directing their attention to the figure of a cavern. For every cave is not spherical, as is evident from this Homeric cave with a twofold entrance. But since a

cavernhas a twofold similitude, the present cave^ musTnot be~assumed as an image of the intelligible but of the sensible essenceT For" in consequence of containing perpetually-flow ing streams of water, it will not bp a symbol of an intelligible hypostasis, but of a material essence. On this account also it is sacred to Nymphs, not the mountain or rural Nymphs, or others of the like kind, but to the Naiades, who are thus denominated from streams of water. Eox_we_p_eculiarly call the Naiades, and the_jMowers that pTesideT pver^wajters, Nyjnph^ and this^erm_also, is commonly ap plied to all souls descending into generation. For the ancients thought that these souls are incumbent on water which is inspired by divinity, as Numenius says, who adds, that

16 ON THE CAVE OF THE NYMPHS

on this account, a prophet asserts, that the ' Spirit of God moved on the waters. The Egyptians likewise, on this account, represent all daemons and also the sun, and, in short, all the planets (note 6), not standing on anything solid, but on a sailing vessel ; for souls de scending into generation fly to moisture. Hence also, Heraclitus says, "that moisture appears delightful and not deadly to souls " ; but the lapse into generation is delightful to them. And in another place (speaking of unembodied souls), he says, "We live their death, and we die their life." Hence, thepoetjralls those that are in generation humid, because they have souls whichare profoundly steeped in moisture. On this account, such soulsi f delight in blood and humid seed ; but water) . is the nutriment of the souls of plants./ Some likewise are of opinion, that the bodies in the air, and in the heavens, are nourished by vapours from fountains and rivers, and other exhalations. But the Stoics assert, that the sun is nourished by the exhalation from the sea ; the moon from the vapours of fountains and river ; and the stars from the exhalation of the earth. Hence, according to them, the sun is an intellectual composition formed from

ON THE CAVE OF THE NYMPHS 17

the sea ; the moon from the river waters and the stars from terrene exhalations.

5. It is necessary, therefore, that souls, whether they are corporeal or incorporeal, while they attract to themselves body, and especially such as are about to be bound to blood and moist bodies, should verge to humidity, and be corporalised, in consequence of being drenched in moisture. Hence the souls of the dead are evocated by the effusion of bile and blood ; and souls that are lovers of body, by attracting a moist spirit, condense this humid vehicle like a cloud. For moisture condensed in the air constitutes a cloud. But the pneumatic vehicle being condensed in these souls, becomes visible through an ex cess of moisture. And among the number of these we must reckon those apparitions of images, which, from a spirit coloured by the influence of imagination, present themselves to mankind. But pure souls are averse from generation ; so that, as Heraclitus says, " a dry soul is the wisest." Hence, here also the spirit becomes moist and more aqueous through the desire of generation, the soul thus attracting a humid vapour from verging to generation. Souls, therefore, proceeding

18 ON THE CAVE OF THE NYMPHS

into generation are the nymphs called naiades. Hence it is usual to call those that are married nymphs, as being conjoined to generation, and to pour water into baths from fountains, or rivers, or perpetual rills.

6. This world, then, is sacred and pleasant to souls_wjio_have now proceeded into nature, and to natal daemons, though it is essentially \4 darkand obscure ; from which some have sus pected that souls also are of an obscure nature and essentially consist of air.^ Hence a cavern, which is both pleasant and dark, will be appro priately consecrated to souls on the earth, conformably to its similitude to the world, in which, as in the greatest of all temples, souls reside. To the nymphs likewise, who preside over waters, a cavern, in which there are per petually flowing streams, is adapted. Let, therefore, this present cavern be consecrated to souls, and among the more partial powers, to nymphs that preside over streams and fountains, and who, on this account, are called fontal and naiades. What, therefore, are the different symbols, some of which are adapted to souls, but others to the aquatic powers, in order that we may apprehend that this cavern is consecrated in common to

ON THE CAVE OF THE NYMPHS 19

both? Let the stony bowls, jhen, and the amphorae be symbolsj)f the aguatic~nymipEsi For these are, indeed, the symbols of Bacchus, but their composition is fictile, i.e., consists of baked earth, and these are friendly to the vine, the gift of God ; since the fruit of the vine is brought to a proper maturity by the celestial fire of the sun. But the stony bowls and amphorae are in the most eminent degree adapted to the nymphs who preside

over the water that flows from rocks. And to

--

souls that descend into qreneratioi^and are

occupied in corporeal energies, what symbol can be more appropriate than those instru ments pertaining to weaving? Hence, also, the poet ventures to say, "that on these, the nymphs weave purple webs, admirable to the view." ' For the formation of the flesh is on and about the bones, which in the bodies of animals resemble stones. Hence these instru ments of weaving consist of stone, and not of ^ any other matter. But the p\irple webs will y evidently be the flesh which is woven from ^> the blood. For purple woollen garments are C. tinged from nalood. and wool is dyed from / animal juice. The generation of flesh, also, is through and from blood. Add, too, that

20 ON THE CAVE OF THE NYMPHS

the body is a garment with which the soul is invested, a thing wonderful to the sight, whether this refers to the composition of the soul, or contributes to the colligation of the soul (to the whole of a visible essence). Thus, also, Proserpine, who is the inspective guar dian of everything produced from seed, is represented by Orpheus as weaving a web (note 7), and the heavens are called by the ancients a veil, in consequence of being, as it were/the vestment of the celestial Gods. 1

- -1i"^lHi.n*-iL -t-i-ir * ->-• «, , ^X

7. Why, therefore, are the amphorae said

not to be filled jwjth water, but with h_qney_combs_?__ For in these, Homer says, the bees deposit their honey, which signifies to deposit aliment. And honey is the nutriment of bees. Theologists also have made honey subservient to many and different symbols because it con sists of many powers ; since it is both cath artic and preservative. Hence, through honey, bodies are preserved from ^utrefactiojn1_and inveterate ulcers are purified. Farther ^stUJ. it is also sweet to the J~a «*•<*, anH js collected jjy_bejg§l_who are ox-begotten from flowers. When, therefore, those who are initiated in the Leontic sacred rites, pour honey instead of water on their hands ; they are ordered

ON THE CAVE OF THE NYMPHS 21

(by the initiator) to have their hands pure from everything productive of molestation, and from everything noxious and detestable. Other initiators {into the same mysteries) employ fire, which is of a cathartic nature, as an appropriate purification. And they like wise purify the tongue from all defilement of evil with honey. But the Persians, when they offer honey to the guardian of fruits, consider it as the symbol of a preserving and defending power. Hence some persons have thought that the nectar and ambrosia (note 8), which the poet pours into the nostrils of the dead, for the purpose of preventing putre faction, is honey ; since honey is the food of the Gods. On this account also, the same poet somewhere calls nectar golden ; for such is the colour of honey (viz., it is a deep yellow). But whether or not honey is to be taken for nectar, we shall elsewhere more accurately examine. In Orpheus, likewise, Saturn is ensnared by Jupiter through honey. For Saturn, being filled with honey, is intoxicated, his senses are darkened, as if from the effects of wine, and he sleeps ; just as Porus, in the banquet of Plato, is filled with nectar; for wine was not (says he) yet known. The God-

dess Night, too, in Orpheus, advises Jupiter to make use of honey as an artifice. For she says to him : —

"When stretch'd beneath the lofty oaks you view Saturn, with honey by the bees produc'd Sunk in ebriety (note 9), fast bind the God."

This therefore, takes place, and Saturn being bound is emasculated in the same manner as Heaven ; the theologist obscurely signifying by this that divine natures become through pleasure bound, and drawn down into the realms of generation ; and also that, when dissolved in pleasure they emit certain seminal powers. Hence Saturn emasculates Heaven, when descending to earth through a desire of generation (note 10). But the sweetness of honey signifies, with theologists, the same thing as the pleasure arising from generation, by which Saturn, being ensnared, was castrated. For Saturn, and his sphere, are the first of the orbs that move contrary to the course of Coelum or the heavens. Certain powers, however, descend both from Heaven (or the inerratic sphere) and the planets. But Saturn receives the powers of Heaven and Jupiter the powers of Saturn. Since, therefore, honey is assumed in purga-

ON THE CAVE OF THE NYMPHS 23

tions, and as an antidote to putrefaction, and is indicative of the pleasure which draws souls downward to generation ; jt_i§_a_symbol well adapted to aquatic Nymphs, on account oTthijInjnitrescent nature oi tne waters over which they preside, their purifying power, and their ro-operation with generation. For water co-operates in the work of generation. On this account the bees are said, by the poet, to deposit their honey in bowls and amphorae ; the bowls being a symbol of fountains, and therefore a bowl is placed near to Mithra, instead of a fountain ; but the_amphorae are symbols_ of the vessels with which we draw water from fountains. And fountains and streams are adapted to aquatic Nymphs, and still more so to the Nymphs that are souls, which the ancient peculiarly called bees, as the efficient causes of sweetness. Hence Sophocles does not speak unappropriately when he says of souls :—

" In swarms while wandering, from the dead, A humming sound is heard."

8. The priestesses of Ceres, also, as being initiated into the mysteries of the terrene Goddess, were called by the ancients bees; and Proserpine herself was denominated by

24 ON THE CAVE OF THE NYMPHS

them honied. The moon, likewise, who pre sides over generation, was called by them a bee, and also a bull. And Taurus is the exaltation of the moon. But bees are oxbegotten. And this application is also given to souls proceeding into generation. The God, likewise, who is occultly connected with generation, is a stealer of oxen. To which may be added, that honey is considered as a symbol of death, and on this account it is usual to offer libations of honey to the terres trial Gods ; but gall is considered as a symbol

T**5

of life; whether it is obscurely signified by this, that the life of the soul dies through pleasure, but through bitterness the soul resumes its life, whence, also, bile is sacrificed to the Gods ; or whether it is, because death liberates from molestation, but the present life is laborious and bitter. All souls, how ever, proceeding into generation, are not simply called bees, but those who will live in it justly and who, after having performed such things as are acceptable to the Gods, will again return (to their kindred stars). For this insect loves to return to the place from whence it first came, and is eminently just and sober. Whence, also, the libations

ON THE CAVE OF THE NYMPHS 25

which are made with honey are called sober. Bees, likewise, do not sit on beans, which were considered by the ancients as a symbol of generation proceeding in a right line, and without flexure ; because this leguminous vegetable is almost the only seed-bearing plant whose stalk is perforated throughout without any intervening knots (note n). (We must therefore admit, that honeycombs and bees are appropriate and common symbols of the aquatic nymphs, and of souls that are married (as it were) to (the humid and fluctuat ing nature of) generation. I

9. Cayes^ therefore, in the most rpmntq periods of antiquity were consecrated to the Gods7 before temples were erected to thejiL. Hence, the Curetes in Crete dedicated a cavern to Jupiter ; in Arcadia, a cave was sacred to the Moon, and to Lycean Pan ; and in Naxus, to Bacchus. But wherever Mithra was known, they propitiated the God in a cavern. With respect, however, to the Ithacensian cave, Homer was not satisfied with saying that it had two gates, but adds^that onej)fJ5F gates was turned towards the north, but the other^which was more divine, to~~FRp smiTfi. fiealso says that the northern gate was

26 ON THE CAVE OF THE NYMPHS

pervious to descent, but does not indicate whether this was also the case with the southern gate. For of this, he only says, " It is inaccessible to men, but it is the path of the immortals."

10. It remains, therefore, to investigate what 4g_ indicated by thl^narration~PwhetheT'T:Be poet describes a cavernwhich was in reality_ cojisecrated by others7~or whether it is an enigma of his own invention. Since, however, a cavern is an imagelmd symbol of the world, as Numenius and his familiar Cronius assert, there are two extremities in the heavens, y/z., the winter tropic, than which nothing is more southern, and the summer tropic, than which nothing is more northern. But the summer tropic is in Cancer, and the winter tropic in Capricorn. And since Cancer is nearest to us, it is very properly attributed to the Moon, which is the nearest of all the heavenly bodies to the earth. But as the southern pole by its great distance is invisible to us, hence Capricorn is attributed to Saturn, the highest and most remote of all the planets. Again, the signs from Cancer to Capricorn are situ ated in the following order : and the first of these is Leo, which is the house of the Sun ;

ON THE CAVE OF THE NYMPHS 27

afterwards Virgo, which is the house of Mercury ; Libra, the house of Venus ; Scorpio, of Mars ; Sagittarius, of Jupiter ; and Capri corn, of Saturn. But from Capricorn in an inverse order Aquarius is attributed to Saturn; Pisces to Jupiter; Aries to Mars; Taurus to Venus ; Gemini to Mercury ; and in the last place Cancer to the Moon. n.^Tb,eologists therefore assert, that these Are_jCancer and Capricorn j__but

__

Plato calls them entrances. And of these, theologists say, that Cancer is the gate through which souls descend; but Capricorn that through which they ascend. Cancer is indeed northern, and adapted to descent ; but Capri corn is southern, and adapted to ascent (note 12). The northern parts, likewise, per tain to souls descending into generation. And the gates of the cavern which are turned to the north are rightly said to be pervious to the descent of men ; but the southern gates are not the avenues of the Gods, but of souls ascending to the Gods. On this account, the poet does not say that they are the avenues of the Gods, but of immortals ; this appella tion being also common to our souls, which are per se, or essentially, immortal. It is said

28 ON THE CAVE OF THE NYMPHS

that Parmenides mentions these two gates in his treatise "On the Nature of Things," as likewise that they are not unknown to the Romans and Egyptians. For the Romans celebrate their Saturnalia when the Sun is in Capricorn, and during this festivity, slaves wear the shoes of those that are free, and all things are distributed among them in com mon ; the legislator obscurely signifying by this ceremony that through this gate of the heavens, those who are now born slaves will be liberated through the Saturnian festival, and the house attributed to Saturn, i.e., Capricorn, when they live again and return to the fountain of life. Since, however, the path from Capricorn is adapted to ascent, hence the Romans denominate that month in which the Sun, turning from Capricorn to the east, directs his course to the north, Januarius, or January, from janua, a gate. But with the Egyptians, the beginning of the year is not Aquarius, as with the Romans, but Cancer. For the star Sothis, which the Greeks call the Dog, is near to Cancer. And the rising of Sothis is the new moon with them, this being the principle of generation to the world. On this account, #ip gatps-o£

ON THE CAVE OF THE NYMPHS 29

the Homeric cavern are not Dedicated to the east and west, nor to the equinoctial signs, Aries and Libra, but to the north and south, and to those celestial signs which towards the south are most southerly, and,

north are most northerly ; because this cave was_ sacred to soulis and aquatic nymphsT

But these places are adapted to souls descending into generation, and afterwards separating themselves from it. Hence, a place near to the equinoctial circle was assigned to Mithra as an appropriate seat. And on this account he bears the sword of Aries, which is a martial sign. He is likewise carried in the Bull, which is the sign of Venus.

or Mithra. as well as the Bull, is fhe, npminrgus and lord of generation (note 13). \ But he is placed near the equinoctial circle, having the northern parts on his right hand, and the southern on his left. They likewise arranged towards the south the southern hemisphere because it is hot ; but the northern hemi sphere towards the north, through the cold ness of the north wind.

12. The ancients, likewise, very reasonably connected winds with souls proceeding into generation, and again separating themselves

30 ON THE CAVE OF THE NYMPHS

from it, because, as some think, souls attract a spirit, and have a pneumatic essence. But the north wind is adapted to souls falling into generation ; and, on this account, the northern blasts refresh those who are dying, and when they can scarcely draw their breath. On the contrary the southern gales dissolve life. For the north wind, indeed, from its superior cold ness, congeals (as it were the animal life), and retains it in the frigidity of terrene generation. But the south wind, being hot, dissolves this life, and sends it upward to the heat of a divine nature. Since, however, our terrene habitation is more northern, it is proper that souls which are born in it should be familiar with the north wind ; but those that exchange this life for a better, with the south wind. This also is the cause why the north wind is, at its commencement, great; but the south wind, at its termination. For the former is situated directly over the inhabitants of the northern part of the globe, but the latter is at a great distance from them ; and the blast from places very remote, is more tardy than from such as are near. But when it is coacervated, then it blows abundantly and with vigour. Since, however, souls proceed into

ON THE CAVE OF THE NYMPHS 31

generation through the northern gate, hence this wind is said to be amatory. For, as the poet says,

" Boreas, enamour'd of the sprightly train, Conceal'd his godhead in a flowing mane. With voice dissembled to his loves he neighed, And coursed the dappled beauties o'er the mead ; Hence sprung twelve others of unrivalled kind, Swift as their mother mares, and father wind " (note 14).

It is also said, that Boreas ravished Orithya (note 15), from whom he begot Zetis and Calais. But as the south is attributed to the Gods, hence, when the Sun is at its meridian, the curtains in temples are drawn before the statues of the Gods ; in consequence of observ ing the Homeric precept : " That it is not lawful for men to enter temples when the Sun is inclined to the south," for this is the path of the immortals. Hence, when the God is at his meridian altitude, the ancients placed a symbol of midday and of the south in the gates of the temples, and on this account, in other gates also, it was not lawful to speak at all times, because gates were considered as sacred. Hence, too, the Pythagoreans, and the wise men among the Egyptians, for bade speaking while passing through doors or gates ; for then they venerated in silence

32 ON THE CAVE OF THE NYMPHS

that God who is the principle of wholes (and, therefore, of all things).

13. Homer, likewise, knew that gates are sacred, as is evident from his representing CEneus, when supplicating, shaking the gate:

" The gates he shakes, and supplicates the son" (note 16).

He also knew the gates of the heavens which are committed to the guardianship of the hours; which gates originate in cloudy places, and are opened and shut by the clouds. For he says :

"Whether dense clouds they close, or wide unfold "(note 17).

And on this account these gates omit a bellowing sound, because thunders roar through the clouds :

"Heaven's gates spontaneous open to the powers; Heaven's bellowing portals, guarded by the Hours "

(note 18).

He likewise elsewhere speaks of the gates of the Sun, signifying by these Cancer and Capricorn, for the Sun proceeds as far as to these signs, when he descends from the north to the south, and from thence ascends again to the northern parts. But Capricorn and Cancer are situated about the galaxy,

ON THE CAVE OF THE NYMPHS 33

being allotted the extremities of this circle ; Cancer indeed the northern, but Capricorn the southern extremity of it. According to Pythagoras, also, the people of dreams (note 19) are the souls which are said to be collected in the galaxy, this circle being so called from the milk with which souls are nourished when they fall into generation. Hence, those who evocate departed souls, sacrifice to them by a libation of milk mingled with honey ; because, through the allurements of sweetness they will proceed into generation : with the birth of man, milk being naturally produced. Farther still, the southern regions produce small bodies ; for it is usual with heat to attenuate them in the greatest degree. But all bodies generated in the north are large, as is evident in the Celtae, the Thracians and the Scythians ; and these regions are humid, and abound with pastures. For the word Boreas is derived from Bo/>a, which signifies nutriment. Hence, also, the wind which blows from a land abounding in nutriment, is called Boppas, as being of a nutritive nature. From these causes, therefore, the northern parts are adapted to the mortal tribe, and to souls that fail into the realms of generation.

3

34 ON THE CAVE OF THE NYMPHS

But the southern parts are adapted to that which is immortal (note 20), just as the eastern parts of the world are attributed to the Gods, but the western to daemons. For, in conse^ quence of nature originating from diversity, the ancients eyej^whefe— . mg.de that which fias~"a twofuld^entrance to be a^symbol of the nature of things. For the progression

is either through that which is intelligible or through that which is sensible. And if through that which is sensible, it is either through the sphere of the fixed stars, or through the sphere of the planets. And again, it is either through an immortal, or through a mortal progression. One centre

likewise is above, but the other beneath the earth~;f and the one is eastern, but the

western. Thus, too, some parts of the world are situated on the left, but others on the right hand; and night is opposed to day. On this account, also, harmony consists of and proceeds through contraries. Plato also says that there are two openings (note 21) qne of which affords a passagetosouls ascending fo~~tlTe~lieavens. _put the~other to souls de scending to the eartju. And according to theologists, the Sun and Moon are the gates

ON THE CAVE OF THE NYMPHS 35 .oLsouls, which ascend through the Sun, and

the TvfnnrK_ With Hnmpr

likewise, there are two tubs,

" From which the lot of every one he fills, Blesrjn£3 to these, to those distributes ills " (note 22).

Plato in the Gorgias by tubs intends to signify souls, some of which are malefic, but others beneficent ; and some which are rational, but others irrational (note 23). Souls, however, are (analogous to) tubs, because they contain in themselves energies and habits, as in a vessel. In Hesiod, too, we find one tub closed, but the other opened by Pleasure, who scatters its contents everywhere, Hope alone remaining behind. For in those things in which a depraved soul, being dispersed about matter, deserts the proper order of its essence, in all these it is accustomed to feed itself with (the pleasing prospects of) auspicious hope.

14. Since, therefore, every twofold entrance is a symbol of nature, this Homeric cavern has, very properly, not one portal only, but two gates, which differ from each other con formably to things themselves ; of which one pertains to Gods and good (daemons), but the other to mortals and depraved natures. Hence

36 ON THE CAVE OF THE NYMPHS

Plato took occasion to speak of bowls, and assumes tubs instead of amphorae, and two openings, as we have already observed, in stead of two gates. (Pherecydes Syrus also mentions recesses doors anc^ fflfp0 '

indicates the generations of souls, and their separation from these material realms.) And thus much for arrexpTaHatiori of the Homeric cave, which we think we have sufficiently unfolded without adducing any further testi monies from ancient philosophers and theologists, which would give a needless extent to our discourse.

15. One particular, however, remains to be explained, and that_jg_the symbol of the olive planted at th^jpjpjpj^hejcavfir",

appears to indicate something very admirable by givingjt such a position. For he does not merely say that an olive grows in this place, but that it flourishes on the summit of the cavern^

"High at the head a branching olive grows, Beneath, a gloomy grotto's cool recess."

But the growth of the olive in such a situa tion is not fortuitous, as some one may suspect, but contains the enigma of the cavern. For

ON THE CAVE OF THE NYMPHS 37

since the world was not produced rashly and casually, but is the work of divine wisdom and an inte.llfrtnal nature; fren£e._.an olive, the svnhr>i of t-hi.c yngrtnmj flpiirishes nearthe Eicsent_pavern, jwhich is an image of the

world. /For_tJl«* nlivp is t^Prplant' t^"f^li^rva.J \

.Minerva is wisdom?. But this Goddess — Jeing produced from the head of Jupiter, the theologist has discovered an appropriate place for the olive by consecrating it at the summit of the port ; signifying by this that the uniY.ej£e_ is not the effecj^of a casual event

and the_work of irrational fortune, but that it

nature and divine wisdom,

it fby a difference of essence), but yet is near^ to it, through being established on the summit of the whole port (i.e., from Jhe_dignity and excellence~ot its nature governing the whole with consummate wisdom). Since, however, ' jHj olive is^ever-flpjLinsh|ng. it possesses a certain peculiarity . in ... the highest degree_ adapted to the revolutions of souls in the "noTTo sucn souls this~caye_(aswe^jiave__ is sacred. For in summer the white

leaves of the olive tend upwards, but in winter the whiter leaves are bent downward. On

38 ON THE CAVE OF THE NYMPHS

this account also in prayers and supplications, men extend the branches of an olive, ominating from this that they shall exchange the sorrowful darkness of danger for the fair light of security and peace. The olive, therefore^ being naturally_jever-flourIsKing, bears fruit

labour

which is the auxiliary of

reward); it_Js__sj.cjceAjtoJMinerva ; sj;ipj>lies

thejvictors in athletic labours Ivith crowns-

ajid_ajifonls_aj*^^

petitioner. _ Thus, too, the world is governed ^ by an intellectual nature, and is conducted by / a wisdom eternal and ever-flourishing; by ^s which the rewards of victory are conferred /on the conquerors in the athletic race of life, the reward of severe toil and patient perse-

verance. And the Demiurgus who connects and contains the world (in ineffable compre hensions) invigorates miserable and suppliant souls.

16. In this cave, therefore, says Homer,

all external possessions must hp- fjpjjnsjtpfjL^

Here, naked, and assuming a suppliant habit,

( afflicted in body, casting aside everything

) superfluous, and being averse to the energies

( of sense, it is requisite to sit at the foot of

\he olive and consult with Minerva by what

ON THE CAVE OF THE NYMPHS 39

means we may most effectually destroy that > hostile rout of passions which insidiously lurk in the secret recesses of the soul. In deed, as it appears to me, it was not without reason that Numenius and his followers thought the person of Ulysses in the Odyssey represented to us^a_man. who passes in a

rp£Tilar rpannpr QYfT thff

of generation, and thus at length arrives at that region where tempests and seas are unknown, and nn(li> a nation

"Who ne'er knew salt, or heard the billows roar."

17. Again, according to Plato, the deep, the 7 sea, and a tempest are images of a material /nature. And on this account I think the poet called the port by the name of Phorcys. For he says, " It is the port of the ancient marine Phorcys " (note 24). The daughter likewise of this God is mentioned in the beginning of the Odyssey. But from Thoosa the Cyclops was born, whom Ulysses deprived of sight. And this deed of Ulysses became the occasion of reminding him of his errors, till he was safely landed in his native country. On this account, too, a seat under the olive is proper to Ulysses, as to one who implores divinity and would

40 ON THE CAVE OF THE NYMPHS

appease his natal daemon with a suppliant branch. For it will not be simply, and in a concise way, possible for anyone to be liber ated from this sensible life, who blinds this daemon, and renders his energies inefficacious ; but he who dares to do this, will be pursued by the anger (note 25) of the marine and material Gods, whom it is first requisite to appease by sacrifices, labours, and patient endurance; at one time, indeed, contending with the passions, and at another employing enchantments and deceptions, and by these, transforming himself in an all-various manner ; in order that, being at length divested of the torn garments (by which his true person was concealed) he may recover the ruined empire of his soul. Nor will he even then be liber ated from labours ; but this will be effected when he has entirely passed over the raging sea, and, though still living, becomes so ignorant of marine and material works (through deep attention to intelligible con cern) as to mistake an oar for a corn-van.

18. It must not, however, be thought_that_ interpretations of thiskind^ are forced, and nothing morejthan the^,rnnjfrtures of ingenious men ; but when we consider the

ON THE CAVE OF THE NYMPHS 41

great wisdom of antiquity and how much Homer excelled in intellectual prudence, and

Qypnf every virtue, it

must not be denied that he has obscurely indicated tne images^ of things of a morel divine nature in the fiction j)f_a.Jakl£. For it would not have been possible to devise the whole of this hypothesis unless the figment had been transferred (to an appropriate mean ing) from certain established truths. But reserving the discussion of this for another treatise, we shall here finish our explanation of the present Cave of the Nymphs.

Notes

(1) This Cronius, the Pythagorean, is also mentioned by Porphyry in his life of Plotinus.

(2) I.e., rather more than ten Italian miles and a half, eight stadia making an Italian mile.

(3) But morphe, as we are informed by Simplicius, pertains to the colour, figure, and magnitude of superficies.

(4) " Nymphs," says Hermias in his Scholia on the Phcedrus of Plato, " are Goddesses who preside over regeneration, and are ministrant to Bacchus, the offspring of Semele. Hence they dwell near water, that is, they are con versant with generation. But this Bacchus supplies the regeneration of the whole sen sible world."

(5) These lines are not to be found in any of the hymns now extant, ascribed to Homer.

(6) Martianus Capella in lib. ii. De Nuptiis Philologies, speaking of the sun, says : " Ibi quandam navim, totius naturae cursibus di-

43

44 ON THE CAVE OF THE NYMPHS

versa cupiditate moderantem, cunctaque flammarum congestione plenissimam, beatis circumactum mercibus conspicatur. Cui nautce septem germani, tamen suique consimiles praesidebant," etc. In this passage the seven sailors are evidently the seven planets.

(7) The theological meaning of this Orphic fiction "is beautifully unfolded by Proclus as follows : " Orpheus says that the vivific cause of partible natures (i.e., Proserpine), while she remained on high, weaving the order of celestials, was a nymph, as being undefiled ; and in consequence of this connected with Jupiter and abiding in her appropriate manners ; but that, proceeding from her proper habitation, she left her webs unfinished, was ravished; having been ravished, was married ; and that being married, she gener ated in order that she might animate things which have an adventitious life. For the unfinished state of her web indicates, I think, that the universe is imperfect or unfinished, as far as to perpetual animals (i.e., the universe would be imperfect if nothing inferior to the celestial Gods was produced). Hence Plato says, that the one Demiurgus calls on the many Demiurgi to weave together the mortal and immortal natures ; after a manner remind ing us, that the addition of the mortal genera is the perfection of the textorial life of the

ON THE CAVE OF THE NYMPHS 45

universe, and also exciting our recollection of the divine Orphic fable, and affording us inter pretative causes of the unfinished webs of Proserpine."— See Vol. II., p. 356, of my trans lation of Proclus on the Timceus.

The unfinished webs of Proserpine are also alluded to by Claudian in his poem " De Raptu Proserpinae," in the following verse :—

"Sensit adesse Deas, imperfec.tumque laborem Deserit."

[l only add, that, by ancient theologists, the shuttle was considered as a signature of sepgrgtinflt * Qip yf niuiflo, a sceptre of ruling, and a key (\fQ'f"rHin" p™*"**-^

(8) The theological meaning of nectar and ambrosia is beautifully unfolded by Hermias, in his Scholia on the Phcedrus of Plato, pub lished by Ast, Lips., 1810, p. 145, where he informs us, "that ambrosia is analogous to dry nutriment, and that on this account it signifies an establishment in causes : but that nectar is analogous to moist food, and that it signifies the providential attention of the Gods to secondary natures ; the former being de nominated, according to a privation of the mortal and corruptible ; but the latter, according to a priuation of the funeral and sepulchral. And when the Gods are represented as energising providentially, they are said to drink nectar.

46 ON THE CAVE OF THE NYMPHS

Thus Homer in the beginning of the 4th Book of the Iliad :—

"Now with each other, on the golden floor, Seated near Jove, the Gods converse ; to whom The venerable Hebe nectar bears In golden goblets ; and as these flow round Th' immortals turn their careful eyes on Troy."

For then they providentially attend to the Trojans. The possession, therefore, of immu table providence by the Gods is signified by their drinking nectar ; the exertion of this providence, by their beholding Troy, and their communicating with each other in providential energies, by receiving the goblets from each other.

(9) Ebriety, when ascribed to divine natures by ancient theologists, signifies a deific superessential energy, or an energy superior to intellect. Hence, when Saturn is said by Orpheus to have been intoxicated with honey or nectar, the meaning is, that he then energised providentially, in a deific and super-intellectual manner.

(10) Porphyry, though he excelled in philo sophical, was deficient in theological know ledge ; of which what he now says of the castrations of Saturn and Heaven is a remark able instance. For ancient theologists, by things preternatural, adumbrated the trans cendent nature of the Gods ; by such as are

ON THE CAVE OF THE NYMPHS 47

irrational, a power more divine than all reason; and by things apparently base, incorporeal beauty. Hence in the fabulous narrations to which Porphyry now alludes, the genital parts must be considered as symbols of prolific power ; and the castration of these parts as signifying the progression of this power into a subject order. So that the fable means that the prolific powers of Saturn are called forth into progression by Jupiter, and those of Heaven by Saturn ; Jupiter being inferior to Saturn, and Saturn to Heaven.— See the "Apology for the Fables of Homer" in Vol. I. of my translation of Plato.

(n) Hence, when Pythagoras exhorted his disciples to abstain from beans, he intended to signify, that they should beware of a con tinued and perpetual descent into the realms of generation.

(12) Macrobius, in the twelfth chapter of his Commentary on "Scipio's Dream," has de rived some of the ancient arcana which it contains from what is here said by Porphyry. A part of what he has farther added, I shall translate on account of its excellence and connexion with the above passage : " Pythag oras thought that the empire of Pluto began downwards from the milky way, because souls falling from thence appear to have already receded from the Gods. Hence he asserts

48 OH THE CAVE OF THE NYMPHS

that the nutriment of milk is first offered to infants, because their first motion commences from the galaxy, when they begin to fall into terrene bodies. On this account, since those who are about to descend are yet in Cancer, and have not left the milky way, they rank in the order of the Gods. But when, by falling, they arrive at the Lion, in this constellation they enter on the exordium of their future condition. And because, in the Lion, the rudi ments of birth and certain primary exercises of human nature, commence; but Aquarius is opposite to the Lion, and presently sets after the Lion rises ; hence, when the sun is in Aquarius, funeral rites are performed to departed souls, because he is then carried in a sign which is contrary or adverse to human life. From the confine, therefore, in which the zodiac and galaxy touch each other, the soul, descending from a round figure, which is the only divine form, is produced into a cone by its defluxion. And as a line is gen erated from a point and proceeds into length from an indivisible, so the soul, from its own point, which is a monad, passes into the duad, which is the first extension. And this is the essence which Plato, in the Timceus, calls impartible and at the same time partible, when he speaks of the nature of the mundane soul. For as the soul of the world, so like-

ON THE CAVE OF THE NYMPHS 49

wise that of man, will be found to be in one respect without division, if the simplicity of a divine nature is considered ; and in another respect partible, if we regard the diffusion of the former through the world, and of the latter through the members of the body.

" As soon, therefore, as the soul gravitates towards body in this first production of her self, she begins to experience a material tumult, that is, matter flowing into her essence. And this is what Plato remarks in the Phcedo, that the soul is drawn into body staggering with recent intoxication ; signify ing by this the new drink of matter's impetu ous flood, through which the soul, becoming defiled and heavy, is drawn into a terrene situation. But the starry cup placed between Cancer and the Lion is a symbol of this mystic truth, signifying that descending souls first experience intoxication in that part of the heavens throught the influx of matter. Hence oblivion, the companion of intoxication, there begins silently to creep into the recesses of the soul. For if souls retained in their descent to bodies the memory of divine concerns, of which they were conscious in the heavens, there would be no dissension among men about divinity. But all, indeed, in descending, drink of oblivion ; though some more, and others less. On this account, though truth

50 ON THE CAVE OF THE NYMPHS

is not apparent to all men on the earth, yet

all exercise their opinions about it ; because

! a defect of memory is the origin of opinion. But

1 those discover most who have drunk least of

oblivion, because they easily remember what

they had known before in the heavens.

" The soul, therefore, falling with this first weight from the zodiac and milky way into each of the subject spheres, is not only clothed with the accession of a luminous body, but produces the particular motions which it is to exercise in the respective orbs. Thus in Saturn it energises according to a ratiocinative and intellective power ; in the sphere of Jove, according to a practic power; in the orb of the Sun, according to a sensitive and imaginative nature; but according to the motion of desire in the planet of Venus ; of pronouncing and interpreting what it per ceives in the orb of Mercury ; and according to a plantal or vegetable nature and a power of acting on body, when it enters into the lunar globe. And this sphere, as it is the last among the divine orders, so it is the first in our terrene situation. For this body, as it is the dregs of divine natures, so it is the first animal substance. And this is the difference between terrene and supernal bodies (under the latter of which I comprehend the heavens, the stars, and the more elevated elements),

ON THE CAVE OF THE NYMPHS 51

that the latter are called upwards to be the seat of the soul, and merit immortality from the very nature of the region and an imitation of sublimity ; but the soul is drawn down to these terrene bodies, and is on this account said to die when it is enclosed in this fallen region, and the seat of mortality. Nor ought it to cause any disturbance that we have so often mentioned the death of the soul, which we have pronounced to be immortal. For the soul is not extinguished by its own proper death, but is only overwhelmed for a time. Nor does it lose the benefit of per petuity by its temporal demersion. Since, when it deserves to be purified from the contagion of vice, through its entire refine ment from body, it will be restored to the light of perennial life, and will return to its pristine integrity and perfection."

The powers, however, of the planets, which are the causes of the energies of the soul in the several planetary spheres, are more accurately described >by Proclus in p. 260 of his admirable Commentary on the Timceus, as follows : — "If you are willing, also, you may say that of the beneficent planets the Moon is the cause to Mortals of nature, being herself the visible statue of fontal nature. But the Sun is the Demiurgus of everything sensible, in consequence of being the cause

52 ON THE CAVE OF THE NYMPHS

of sight and visibility. Mercury is the cause of the motions of the phantasy; for of the imaginative essence itself, so far as sense and phantasy are one, the Sun is the producing cause. But Venus is the cause of epithymetic appetites (or of the appetites pertaining to desire), and Mars of the irascible motions which are conformable to nature. Of all vital powers, however, Jupiter is the common cause; but of all gnostic powers, Saturn. For all the irrational forms are divided into these."

(13) Hence Phanes, or Protogonus, who is the paradigm of the universe, and who was absorbed by Jupiter, the Demiurgus, is repre sented by Orpheus as having the head of a bull among other heads with which he is adorned. And in the Orphic hymn to him he is called bull-roarer.

(14) Iliad, lib. xx., v. 223, etc.

(15) This fable is mentioned by Plato in the Phcedrus, and is beautifully unfolded as follows by Hermias, in his Scholia on that Dialogue : "A twofold solution may be given of this fable : one from history, more ethical ; but the other, transferring us (from parts) to wholes. And the former of these is as follows : Orithya was the daughter of Erectheus, and the priestess of Boreas; for each of the winds has a presiding deity, which the telestic art,

ON THE CAVE OF THE NYMPHS 53

or the art pertaining to sacred mysteries, religiously cultivates. To this Orithya, then, the God was so very propitipus, that he sent the north wind for the safety of the country ; and besides this, he is said to have assisted the Athenians in their naval battles. Orithya, therefore, becoming enthusiastic, being pos sessed by her proper God Boreas, and no longer energising as a human being (for animals cease to energise according to their own peculiarities, when possessed by superior causes), died under the inspiring influence, and thus was said to have been ravished by Boreas. And this is the more ethical explana tion of the fable.

" But the second, which transfers the narra tion to wholes, and does not entirely subvert the former, is the following, for divine fables often employ transactions and histories, in subserviency to the discipline of wholes. It is said, then, that Erectheus is the God that rules over the three elements, air, water, and earth. Sometimes, however, he is considered as alone the ruler of the earth, and sometimes as the presiding deity of Attica alone. Of this deity Orithya is the daughter ; and she is the prolific power of the earth, which is, indeed, co-extended with the word Erectheus, as the unfolding of the name signifies. For it is the prolific power of the earth, flourishing and re-

54 ON THE CAVE OF THE NYMPHS

stored, according to the seasons. But Boreas is the providence of the Gods, supernally illumi nating secondary natures. For the providence of the Gods in the world is signified by Boreas, because this divinity blows from lofty places. And the elevating power of the Gods is signi fied by the south wind, because this wind blows from low to lofty places; and besides this, things situated towards the south are more diuine. The providence of the Gods, therefore, causes the prolific power of the earth, or of the Attic land, to ascend, and become visible.

"Orithya also may be said to be a soul aspiring after things above. Such a soul, therefore, is ravished by Boreas supernally blowing. But if Orithya was hurled from a precipice, this also is appropriate, for such a soul dies a philosophic, not receiving a physi cal death, and abandons a life pertaining to her own deliberate choice at the same time that she lives a physical life. And philosophy, according to Socrates in the Phcedo, is nothing else than a meditation of death."

(16) Iliad, lib. xi., v. 579.

(17) Iliad, lib. viii., v. 395.

(18) Iliad, lib. viii., v. 393.

(19) The souls of the suitors are said by Homer in the 24th book of the Odyssey (v. n) to have passed, in their descent to the region of spirits, beyond the people of dreams.

ON THE CAVE OF THE NYMPHS 55

(20) Hence, the southern have always been more favourable to genius, than the northern parts of the earth.

(21) See my translation of the tenth book of his Republic.

(22) Iliad, xiv., v. 528.

(23) The passage in the Gorgias of Plato, to which Porphyry here alludes, is as follows :— " Soc. : But, indeed, as you also say, life is a grievous thing. For I should not wonder if Euripides spoke the truth when he says : ' Who knows whether to live is not to die, and to die is not to live ? ' And we perhaps are in reality dead. For I have heard from one of the wise that we are now dead, and that the body is our sepulchre ; but that the part of the soul in which the desires are contained, is of such a nature that it can be persuaded and hurled upwards and downwards. Hence a certain elegant man, perhaps a Sicilian, or an Italian, denominated, mythologising, this part of the soul a tub, by a derivation from the pro bable and persuasive ; and, likewise he called those that are stupid or deprived of intellect, uninitiated. He further said that the intem perate and uncovered nature of that part of the soul in which the desires are contained, was like a pierced tub, through its insati able greediness."

What is here said by Plato is beautifully

56 ON THE CAVE OF THE NYMPHS

unfolded by Olympiodorus in his MS. Com mentary on the Gorgias, as follows :— " Euri pides (in Phryxo) says, that to live is to die, and to die to live. For the soul coming hither as she imparts life to the body, so she^ par takes (through this) of a certain privation of life, because the body becomes the source of evils. And hence, it is necessary to subdue the body.

" But the meaning of the Pythagoric fable which is here introduced by Plato, is this : We are said to be dead, because, as we have before observed, we partake of a privation of life. The sepulchre which we carry about with us is, as Plato himself explains it, the body. But Hades is the unapparent, because we are situated in obscurity, the soul being in a state of servitude to the body. The tubs are the desires ; whether they are so called from our hastening to fill them as if they were tubs, or from desire persuading us that it is beautiful. The initiated, therefore, i.e., those that have a perfect knowledge, pour into the entire tub, for these have their tub full ; or in other words, have perfect virtue. But the uninitiated, viz., those that possess nothing perfect, have per forated tubs. For those that are in a state of servitude to desire always wish to fill it, and are more inflamed, and on this account they have perforated tubs, as being never full. But

ON THE CAVE OF THE NYMPHS 57

the sieve is the rational soul mingled with the irrational. For the (rational) soul is called a circle, because it seeks itself, and is itself sought, finds itself and is itself found. But the irrational soul imitates a right line, since it does not revert to itself like a circle. So far, therefore, as the sieve is circular, it is an image of the rational soul ; but, as it is placed under the right lines formed from the holes, it is assumed for the irrational soul. Right lines, therefore, are in the middle of the cavi ties. Hence, by the sieve, Plato signifies the rational in subjection to the irrational soul. But the water is the flux of Nature ; for as Heraclitus says, moisture is the death of the soul."

In this extract the intelligent reader will easily perceive that the occult signification of the tubs is more scientifically unfolded by Olympiodorus than by Porphyry.

(24) Phorcys is one among the ennead of Gods who, according to Plato in the Timceus, fabricate generation. Of this deity Proclus observes, " that as the Jupiter in this ennead causes the unapparent divisions and separa tions of forms made by Saturn to become apparent, and as Rhea calls them forth into motion and generation, so Phorcys inserts them in matter, produces sensible natures, and adorns the visible essence in order that

58 ON THE CAVE OF THE NYMPHS

there may not only be divisions of productive principles (or forms) in natures and in souls, and in intellectual essences prior to these, but likewise in sensibles. For this is the peculiarity of fabrication."

(25) " The anger of the Gods," says Proclus, " is not an indication of any passion in them, but demonstrates our inaptitude to participate of their illuminations."

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AN ESSAY ON THE BEAUTIFUL

FROM THE GREEK OF PLOTINUS

Translated by Thomas Taylor

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ON THE CAVE OF THE NYMPHS

FROM THE GREEK OF PORPHYRY

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WORDS OUT OF THE SILENCE

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THE LOVE NET

SOME PRAYERS AND A VISION

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SUDDEN DEATH &THE WAR

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AN INQUIRY INTO LOVE

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THE SCROLL OF THE DISEMBODIED MAN

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THE GOSPEL OF MANHOOD

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MYSTICISM AND WAR

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SOME ASPECTS OF

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CREATIVE THOUGHT & THE PROBLEM OF EVIL

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THE SAVANT AND THE SEER

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THE TREND OF PSYCHICAL RESEARCH

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NOTES ON THE LORD'S PRAYER

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UNIVERSITY OF TORONTO LIBRARY

PA Porphyrius

^397 On the cave of the

E5 nymphs in the thirteenth

08 book of the Odyssey

1917